The Acting Business Boot Camp Podcast

About Robert:

Robert is currently starring as Weselton in Disney’s FROZEN. Other Broadway credits include: THE LION KING (Timon), THE MYSTERY OF EDWIN DROOD (Durdles), ANYTHING GOES (Purser/Moonface), CHICAGO (Amos), THE LITTLE MERMAID (Chef Louis), CHITTY CHITTY BANG BANG, and JACKIE MASON’S LAUGHING ROOM ONLY.  He was co-author and star of the hit Off-Broadway musical CAGNEY which ran at the Westside Theatre, NYC for over 500 performances. For that role he won the Fred Astaire Award for Outstanding Male Dancer and was nominated for the Drama Desk and Outer Critics Circle Awards as Best Lead Actor in a Musical.  Last season he was a recurring guest star on the CBS series The Good Fight. Other guest-starring roles include Elementary (CBS), Law & Order (NBC), The Family (ABC), and Life on Mars (ABC). For his cabaret “Ain’t We Got Fun!” he won NYC’s prestigious Bistro Award for Outstanding Entertainer. His debut album Ain’t We Got Fun! was released in 2012 on the LML music label.

 About Scott:

For the past twenty-five years, Scott Freeman has taught at many of the nation's premiere actor training programs and is recognized as one of the leading acting teachers in the country. Mr. Freeman was a member of the founding faculty of The Actors Center in New York City, where he taught throughout the eleven years of its existence. 

In addition, he enjoyed a long association with The American Conservatory Theatre in San Francisco as a core faculty member of its MFA program and a member of its acting company. He also served as the founding Head of the University of Minnesota/Guthrie Theater Actor Training Program. He has also taught at Rutgers University, NYU, SUNY Purchase, The Atlantic Theatre Company, and The Stella Adler School of Acting.

As an actor, theatres he has worked at include The  American Conservatory Theatre, South Coast Repertory, New York Theatre Workshop, Mark Taper Forum, The Magic Theatre, San Francisco Shakespeare, San Jose Repertory, Cincinnati P...

About Amanda:

Amanda Quaid has over 15 years of experience teaching speech, dialects, and language skills to actors and other speakers from around the world. In addition to her coaching on plays, films, and television, she maintains a thriving private practice in New York City. She's been featured as a dialect expert on WNYC, and her book, American Accent Drills for British and Australian Speakers was released in 2020.

1. Oral Posture: Position your articulators are in for the Duration of the Accent

ie: A low jaw, pursed lips

2. Signature Sounds: The vowels, consonants, and intonation

Axis of Expressivity (Pitch variety)

How Amanda approaches American Accent Acquisition (as opposed to accent reduction)

3.  Find out what the Accent brings out in you

Techniques for rehearsals, performances, and auditions

The Importance of Breath

Inhale— The act of taking in the partner

Exhale— The act of giving a part of yourself

The Miller Method

“Leave the good aside and focus on the GREAT”

About Bill

Bill Timoney has worked in the Arts & Entertainment industry for over four decades. As an actor, his extensive resume includes Broadway and regional theatre, films, prime time & day time TV, commercials, and voice-acting (he specializes in dubbing English language versions of foreign language movies, TV shows, and animated programs). Bill’s eclectic and wide-ranging work experience also includes producing independent films, writing (including a screenplay for the Nickelodeon Channel’s TV movie division), directing, stand-up comedy, brief stints working for both a casting director and a talent agency, advising film festivals, and even coordinating stunts for low-budget Horror flicks. For the last five years, Bill has operated a coaching service for actors and a script coverage & assessment service for producers and talent agencies (by recommendation only). He often works with his longtime friend and collaborator Bryan Cranston...

About Roger:

If New York City is the voice-over capital of the world, then Roger Becker is the Mayor. “Hizzoner” has been working steadily in every aspect of the business for two decades. With a background in post production, Roger left that world in the 1990’s to direct talent at a prestigious NYC talent agency. Along with running their in-house studio, he worked in the Broadcast Promotions division to bolster his understanding of talent/producer relationships. In 2005, he returned to directing voice-over full time at a casting house in New York City, eventually accepting the position of vice-president of the company.  He has cast for major accounts in all arenas of the business, from commercial to film to narration to animation…and has taught children and adults about all facets of VO work.

Your audition Space must be comfortable. You’re going to spend all of your time in your booth setup.

Overview of 3 things to Up your VO Game:

1. Specs
2. Perspective/ POV
3. Proximity and Visuali...