Anthony Arkin is an actor and filmmaker best known for his work on THE AMERICANS (FX), nominated for Best Ensemble Cast at the 2019 SAG Awards. His directorial debut (feature documentary STATE OF ROCK) premiered at the 2008 Santa Fe Film Festival where he won Best Editing. Since then Arkin has directed and/or edited dozens of films and series. His work has shown at Sundance, Berlin, NY Anthology Film Archive, Telluride, Fantasia, Frightfest and various other festivals around the world. His feature film, SENDER, will be out Fall of 2021.
The importance of remaining teachable.
Enjoying the day-to-day of it instead of fantasizing.
Enjoyment of getting up in the morning and doing new things.
Admit you have limitations and things to learn as an actor.
It is essential as an actor to create your own work.
When you have a job you come prepared for a performance.
The ability to keep your energy primed for long days on set is extraordinary. It’s about physical,...
Katie matriculated from the Theater School at DePaul University with a BFA in Acting. She has lived and worked in Chicago, Los Angeles and New York City. She is an accomplished actor and singer working in theater TV, film, animation, audio books and commercials. Katie is also a company member of The Actors Center in NYC https://theactorscenter.org.
Katie recurs on the Hulu series The Looming Tower and the upcoming seventh season of Venture Brothers on Adult Swim. Her other recurring and guest role appearances include Law & Order: SVU, Chicago P.D, Glow, The Affair, Nurse Jackie Feed the Beast and Blue Bloods.
On stage, Flahive performed in Fidelis at the Public Theatre. She has also been seen on stage at Steppenwolf, Northlight Theater, Atlantic, Griffin Theater Company, Victory Gardens/Remy Bumpo and Theater on the Lake, among others.
As a teacher, Katie has taught at NYU (Atlantic Theater Company) (Stonestreet Studios) and guest...
Robert is currently starring as Weselton in Disney’s FROZEN. Other Broadway credits include: THE LION KING (Timon), THE MYSTERY OF EDWIN DROOD (Durdles), ANYTHING GOES (Purser/Moonface), CHICAGO (Amos), THE LITTLE MERMAID (Chef Louis), CHITTY CHITTY BANG BANG, and JACKIE MASON’S LAUGHING ROOM ONLY. He was co-author and star of the hit Off-Broadway musical CAGNEY which ran at the Westside Theatre, NYC for over 500 performances. For that role he won the Fred Astaire Award for Outstanding Male Dancer and was nominated for the Drama Desk and Outer Critics Circle Awards as Best Lead Actor in a Musical. Last season he was a recurring guest star on the CBS series The Good Fight. Other guest-starring roles include Elementary (CBS), Law & Order (NBC), The Family (ABC), and Life on Mars (ABC). For his cabaret “Ain’t We Got Fun!” he won NYC’s prestigious Bistro Award for Outstanding Entertainer. His debut album ...
For the past twenty-five years, Scott Freeman has taught at many of the nation's premiere actor training programs and is recognized as one of the leading acting teachers in the country. Mr. Freeman was a member of the founding faculty of The Actors Center in New York City, where he taught throughout the eleven years of its existence.
In addition, he enjoyed a long association with The American Conservatory Theatre in San Francisco as a core faculty member of its MFA program and a member of its acting company. He also served as the founding Head of the University of Minnesota/Guthrie Theater Actor Training Program. He has also taught at Rutgers University, NYU, SUNY Purchase, The Atlantic Theatre Company, and The Stella Adler School of Acting.
As an actor, theatres he has worked at include The American Conservatory Theatre, South Coast Repertory, New York Theatre Workshop, Mark Taper Forum, The Magic Theatre, San Francisco Shakespeare,...
Amanda Quaid has over 15 years of experience teaching speech, dialects, and language skills to actors and other speakers from around the world. In addition to her coaching on plays, films, and television, she maintains a thriving private practice in New York City. She's been featured as a dialect expert on WNYC, and her book, American Accent Drills for British and Australian Speakers was released in 2020.
1. Oral Posture: Position your articulators are in for the Duration of the Accent
ie: A low jaw, pursed lips
2. Signature Sounds: The vowels, consonants, and intonation
Axis of Expressivity (Pitch variety)
How Amanda approaches American Accent Acquisition (as opposed to accent reduction)
3. Find out what the Accent brings out in you
Techniques for rehearsals, performances, and auditions
The Importance of Breath
Inhale— The act of taking in the partner
Exhale— The act of giving a part of yourself
The Miller Method
“Leave the good aside and focus on the GREAT”
Bill Timoney has worked in the Arts & Entertainment industry for over four decades. As an actor, his extensive resume includes Broadway and regional theatre, films, prime time & day time TV, commercials, and voice-acting (he specializes in dubbing English language versions of foreign language movies, TV shows, and animated programs). Bill’s eclectic and wide-ranging work experience also includes producing independent films, writing (including a screenplay for the Nickelodeon Channel’s TV movie division), directing, stand-up comedy, brief stints working for both a casting director and a talent agency, advising film festivals, and even coordinating stunts for low-budget Horror flicks. For the last five years, Bill has operated a coaching service for actors and a script coverage & assessment service for producers and talent agencies (by recommendation only). He often works with his longtime...
If New York City is the voice-over capital of the world, then Roger Becker is the Mayor. “Hizzoner” has been working steadily in every aspect of the business for two decades. With a background in post production, Roger left that world in the 1990’s to direct talent at a prestigious NYC talent agency. Along with running their in-house studio, he worked in the Broadcast Promotions division to bolster his understanding of talent/producer relationships. In 2005, he returned to directing voice-over full time at a casting house in New York City, eventually accepting the position of vice-president of the company. He has cast for major accounts in all arenas of the business, from commercial to film to narration to animation…and has taught children and adults about all facets of VO work.
Your audition Space must be comfortable. You’re going to spend all of your time in your booth setup.
Overview of 3 things to Up your VO Game: